There Will Be Blood
Thursday, March 13th, 2008It’s probably high time that Daniel Day-Lewis bagged himself another Best Actor Oscar, but the Irish actor’s performance is not just the only thing going for this inspired allegory of a film from Paul Thomas Anderson. There Will Be Blood is pleasingly unconventional in a number of ways. The opening sequence, in which a seemingly interminable time passes without a single word being spoken, is adventurous and in its own strange way, breathtaking. The same can be said for Jonny Greenwood’s jarring score, which positively infests the movie, bringing a lot of character and also some machine-like brutality to events as they unfold. The score infuses an air of modernity within the film, which otherwise revolves around bit-part characters, small towns, religious nutters, and oil companies lead by gregarious thugs.
The story does not flow in a way that is normally expressed in film. The importance of the progression of the story runs a distant second to a focus on the antics of Day-Lewis’ character, Daniel Plainview. It will hardly surprise anyone, even those unfamiliar with the basic premise of the film that Plainview is a quintessential capitalist brute, putting his pursuit of oil wealth before everyone and everything else. He hates people and is individualistic to a harsh extreme. He is obsessive, immoral, and yet charming. He has more than just a slight resemblance to Day-Lewis’ other recent portrayal of a charismatic villain, Bill the Butcher from Gangs of New York. There are moments in this film where the comic mania of Bill the Butcher seeps through into Daniel Plainview’s character here, and although it probably takes away from Day-Lewis’ performance somewhat, you will probably enjoy it too much to care. Perhaps the genius in his performance is the fact that he really does make you empathise with Plainview. Daniel Plainview is obnoxious and ghastly, and does some horrific things, but in some ways his virtues are greater than those of practically all other people portrayed in the film. He is terrible, and yet he is a paragon. Plainview is a fictional manifestation of the greed motive as encouraged by the modern economic world.
Personally I wouldn’t mind soaking up this film again. It’s worth seeing twice - not just for the story, and not even just for Day-Lewis masterfully putting on his evil face. The sounds and the imagery of There Will Be Blood are what sets the film apart as something quite interesting and quite different to today’s mainstream cinematic fare. Atonement was perhaps a more conventionally good film than this one, but if you want to see something a bit different and marvelous in its own strange way, you could do a lot worse than going to see There Will Be Blood.




